Practicing scales and licks the guitar all day and hoping for inspiration is a way to approach solo, but I have a better idea … how to control your thoughts about training your fingers, so that they can play what you hear in your head?
Think for a moment, the music you hear in your head does not sound like scales and exercises, or boring? Around the time I asked to play the guitar no one has a degree … so that the public does notScales.
The problem of trying to bind, we create when we overcome the practice, which bind in which "you play what you hear and feel what we play." Translated, this means that if all the listening ears of our balance is in our training sessions, if you want to be creative, it is likely to want to play scales.
What we need is a creative approach to guitar technique, which sounds the beginning of things like music directly from … if we are not careful balance "free your fingers and freeze ourBrains. "
Pivot scales:
A clever way to create interesting music intrigues, and many are surprised to pivot using the stairs.
Here's how it works … I am using a C major scale for our example.
C major scale – CDEFGABC
Well, if we, the C scale, close-up place in the sequence of notes above, it would be as dull as a dishwasher, "because touch is a model family is very predictable, no matter how well you played or how quickly the balanceperformed the result is a tedious exercise.
However, with exactly the same scale, if we have selected two notes to be our turning point, to undertake two well known would be the B & C notes
I chose these grades because they are separated and a half, the half-tone tends to arouse public attention.
The idea is to be noted, begins with the Pivot then proceed continuously with the scale is ascending or descending order using the pin-notes of each phrase begins to play.
Asin this way:
CBCD / CBCE / CBCF / CBCG / CBCA / CBCB / CBCC
In this example, the last grade of "C" is an octave higher than the previous note C.
Note that the first three notes (CBC notes pivot), where the establishment of a repeated series of notes, the listener is aware of during the last note in each of the sequences using a simple ascending scale of C major.
This is an interesting twist to a very intimate level. Of course you can pivotScale with any sequence of two notes of your scale.
The idea of half-tone is a good way to design a melodic phrase, the other half-tone option in the key of C major would be E & F
Here is a creative sequence scale with E & F as pivot notes.
FEFG / Fefa / FEFB / FEFC / FEFD / FEFE / FEFF
In this example, the last grade of "F" F is an octave higher than the previous reference.
Try these ideas to different keys and positions onKeyboard next time practicing the guitar.
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